The Spread Shot of Hata no Kokoro from the world reborn (a Touhou LW original). She thrusts a bamboo spear at her foes. In Japanese, there are two distinct types of bamboo―take and sasa. They are very similar, and it's often difficult to tell them apart. Both plants have culm sheaths (leaves that wrap around the stem), but take's fall away as it grows, whereas sasa's remain attached. However, given that definition, yadake, or arrow bamboo, would be classed as sasa, and okamezasa, also known as ruscus-leaf bamboo, would be classed as take. Which is all to say, take and sasa really are very similar.

The Focus Shot of Hata no Kokoro from the world reborn (a Touhou LW original). She thrusts a soul naginata at her foes. This weapon is known for being used in Noh plays. There are a handful of famous plays with naginata-wielding characters, but Shizuka Gozen, who appears in Shouzon, is particularly memorable.

A Spell Card of Hata no Kokoro from the world reborn (a Touhou LW original). This attack is reminiscent of Tanabata, the Star Festival. When thinking of Tanabata, everyone in Japan surely remembers the tale of Orihime and Hikoboshi. Long ago, people looked up at two bright stars in the night sky separated by the Milky Way and dreamt up a sorrowful yet hopeful tale of a young married couple. Performances re-enacting this tale of legend tale can still be seen today.

A Spell Card of Hata no Kokoro from the world reborn (a Touhou LW original). This attack is reminiscent of the 66 plays Hata no Kawakatsu devised for a prince. It's said that menreiki are tsukumogami originating from the 66 masks Hata no Kawakatsu received from the prince. If that's true, then the masks must be very old, which would, in turn, explain their turning into tsukumogami. Then again, it's said that a tool becomes a tsukumogami when its owner doesn't hold a memorial service and instead discards it in a still usable and unbroken state. Perhaps the reason these 66 masks became tsukumogami was because Hata no Kawakatsu abandoned them.

The Last Word of Hata no Kokoro from the world reborn (a Touhou LW original). She recreates a legendary yet strange festival in this attack. It's said the secret god and her two servants come together as three to form a singular god. Three is a sacred number, and it can be found throughout Shintoism and Buddhism, but Hata no Kokoro doesn't understand much about all that. Having opportunities to get on stage and express herself is what appeals to her more than anything. Noh and Sarugaku, as well as dance and theater, all originated from playing pretend. By imagining something that isn't there and interacting with it, you can make an audience believe it's real. The ability to do that fits well into Gensokyo and is something even the gods covet. The festival recreated in this performance even includes expressions of scorn and abuse. No other performance allows one to express oneself to quite this extent... or so thought the god Okina Matara.