Moriya's Official Tiny God
The usual outfit of Kanako from the world of iron and steam. The mirror on her chest looks bigger than usual due to her size.
The usual outfit of Kanako from the world of iron and steam. The mirror on her chest looks bigger than usual due to her size.
Karakkaze (a Touhou LW original) refers to gusts of wind that cross atop the mountains down into the eastern regions of Japan. This is an apt temperament for Kanako, who commands the wind as a god. Kanako's original temperament was Metal Phase (strong against Earth Phase but weak to Fire Phase) and Sun Essence (strong against Star Essence but weak to Moon Essence), but she has lost her sky god temperament (Metal Phase), and it has been replaced with wind god temperament (strong against Wood Phase).
The ability of Kanako Yasaka from the world of iron and steam (a Touhou LW original). Those who reside in the world where mountain resources are converted to power have formed their own unique civilization. Kanako's ability doesn't appear to have changed much, but she seems to have used it extensively to establish the civilization she's a part of. This world's Kanako and Suwako are gods of ironmaking, more so than they are in other worlds. It's often overlooked, but the Great Suwa War is said to have been a war between two different ironmaking techniques. The legend is probably based on a true historical event, where people of the Izumo region equipped with advanced iron and steel-making technology invaded Suwa, a land where people still relied on primitive ironmaking techniques. It isn't known whether this world's Kanako and Suwako experienced a Great Suwa War, but it can be assumed that their bond of friendship was forged following an event of similar proportions. Also, it is unclear whether they were always small or if some event caused them to shrink. Either way, their powers as gods don't seem to have declined as a result. It is sometimes thought that the Iron Age was a small step in the cultural advancement of humankind. However, this view neglects to consider that all our modern-day cities are literally held together by steel. You could also argue that every type of machine is a product of iron smelting technology, as that technology birthed metallurgical techniques for countless other metals and alloys. Taking this one step further, you could say that our entire civilization is reliant on the mining and processing of the various ores found in mountains. Most of the world runs off fossil fuels or nuclear fission, but this energy can only be harnessed thanks to durable metal structures capable of withstanding high heat and pressure. In other words, our modern-day civilization can be thought of as an extension of the Iron Age or even perhaps its final form. Wind carries water to the mountains, and it also causes mountain fires. Metal is produced by washing the earth with water and heating it with fire. From metal, we get powerful machines and intricate computers that our civilization couldn't function without. Metal is a blessing from the gods, with the different metals being like stars that sparkle underground. This is why Qian of the Eight Trigrams means Heaven and corresponds with the Metal Phase. In terms of family, Qian is the father, and it is associated with tenacity and strength in business and battle. It's possible that the "kana" in Kanako's name comes from "kanna," the Japanese word for the iron ore pits used to extract iron sand, or "kane," the Japanese word for metal.
The Spread Shot of Kanako Yasaka from the world of iron and steam (a Touhou LW original). She flies up into the sky and creates a big gust of wind. This attack pairs with Suwako's "Lake of Great Earth." Cultures all over the world see the visage of their gods in the sky. In part, this is because wind, being an invisible force, was thought to be a manifestation of their power. The gods express their will through the wind to bring blessed rain and sunlight or cause devastating storms.
The Focus Shot of Kanako Yasaka from the world of iron and steam (a Touhou LW original). She swoops down from the sky, riding a log in the shape of a snake. This attack pairs with Suwako's "Stone Frog God." There are many Japanese legends and folk stories that feature trees and snakes (and sometimes dragons) together, so much so that there is even a word, "habaki," that means "snakes and trees" (or sometimes "dragons and trees" depending on how it is written). Nowadays, the Japanese word for "snake" is "hebi," but they used to be called "haba," like in Amenohabakiri (the sword wielded by the god Susanoo to slay the great dragon-serpent Orochi in Shinto mythology). It's also theorized that the enigmatic god, Arahabaki, was named after a great big tree that looks like a snake. Following this train of thought, it's possible that Hahakigi (a mysterious tree that looks like a broom standing on its end but disappears when you get close) and onbashira also have some kind of connection to snakes.
A Spell Card of Kanako Yasaka from the world of iron and steam. She deploys an ancient ring in this attack. There are two main types of ring-shaped objects used in Shintoism―chinowa, great rings of cogon grass that people pass through as part of a purification ritual, and shimenawa, thick ropes of rice straw or hemp. They both share the same religious significance. They are generally used to create boundaries or barriers with a clear inside and outside. However, they can also be used to erase boundaries because connecting the start and end of a rope together forms a ring that symbolizes eternity. In the far west, this idea is represented by the ouroboros, a symbol depicting a snake eating its own tail. Eternity is immortality, but it is also a near-inescapable prison. That is why shimenawa are used to tie up and restrain gods.
A Spell Card of Kanako Yasaka from the world of iron and steam. She kicks up a storm from the land of the gods. The concept of "ten" or "tian" in Chinese (generally translated as Heaven) is often thought of as synonymous with the sky, but there are some key differences between them. "Ten" refers to the celestial canopy, a dome around the earth that acts as the boundary of the universe. Celestial objects, such as the Sun, the Moon, and stars, follow fixed paths along this dome. On the other hand, the sky refers to the visibly empty space between Heaven and Earth. While it appears empty, it is, in fact, full of an invisible magic power (pure wind) that swirls around and propels celestial objects. Thus, controlling this wind is a form of celestial wizardry.
The Last Word of Kanako Yasaka from the world of iron and steam (a Touhou LW original). She teaches an ancient art of ironmaking, where iron is extracted from ore through gravity separation. The wind brings rain, rain forms rivers, and rivers erode mountains, washing away the earth. The earth contains ore, and ore combined with fire produces metal. Metal is a gift from the gods realized through the Five Phases, starting with wind. It has long been known that wind is needed to light a fire and to make it hotter, but nowadays, wind is also known as a type of renewable energy. Metal (especially iron) and energy are the foundations of human civilization, but they are also the core foundations of this planet. This planet is essentially a colossal ironworks.
Waterways are used to carry and process iron ore during winter and spring. This work is especially busy when the water level rises during the vernal equinox.
The soil washed down from the mountains is used for rice fields. This is truly a blessing from a god of harvests.
In Japanese, "to blow" and "prosperity" are homophones. They are both pronounced "fuku." Mountain gods provide prosperity for the people.